About

Pey-Chwen Lin

維基百科
Pey-Chwen Lin Wikipedia
https://search.app/pPh2SA3WXg7Wiqw87

The first Asian artist to receive the First Prize in the “New Media Art” category at the 2019 Florence Biennale in Italy, and was awarded the prestigious “Lorenzo Award.”

“Eve Clone” series are collected by National Taiwan Museum of Fine Arts in 2023, and included in the first English Taiwan art history “A Brief History of Art in Taiwan" written by Prof. Hsiao Chong-Ray(蕭瓊瑞)

Selected as Tatler Asia “The Most Influential” in 2022, and Featured in Tatler Taiwan “Front and Female” Interview in 2024

Tel. + 886930097500
E-mail peychwen144@gmail.com
Art Studio Address

No. 114-3, Changqing Rd., Xizhi Dist., New Taipei City 221039 , Taiwan (R.O.C.)

Pey-Chwen LIN, born in Taiwan in 1959, is the first Asian artist to receive the First Prize in the “New Media Art” category at the 2019 Florence Biennale in Italy, and was awarded the prestigious “Lorenzo Award.” She received a Doctorate of Creative Arts from the University of Wollongong in Australia in 1996 and served as a professor and director of the Graduate School of Multimedia and Animation Arts at the National Taiwan University of Arts. She is currently the director of the “Lin Pey-Chwen Digital Art Lab.”

After returning to Taiwan from the United States in 1989, Lin held her first exhibition at the “American Cultural Center” and joined the avant-garde art group “Apartment 2.” In 1998, she published the first book on Taiwanese women’s art titled “Women Art Discourse” and co-founded the “Taiwan Women’s Art Association” becoming one of the key advocates for women’s art in Taiwan. Since 2010, she has been promoting digital art research and exhibitions in Taiwan and published the first book on Taiwanese digital art, Taiwan Digital Art E Files. She is one of the pioneers of digital art in Taiwan and has been invited as a distinguished guest, moderator, and jury member for numerous domestic and international conferences and events.

Her works “Eve Clone” series have been exhibited at lots of major art exhibitions both domestically and internationally, her recent exhibitions including the Florence Biennale, Taipei Biennial, Taiwan Biennial, Poland International Media Art Biennale, France “Exit and Via” Art Festival, “Art Woman 2020” International Exhibition in Italy, “40 Years of Taiwanese Contemporary Art” Exhibition, “Asian Contemporary Women Artists” Exhibition, and Singapore International Art Fair. The film Eve Clone Babel I received numerous international awards and honors, including “Best Women Empowerment Film” at the 2025 Berlin Short Film Awards, “Best Animation” at the 2025 Milan Indie Film Festival, and “Best Web/New Media Film” at the London Women Film Festival.

Her works have been researched and featured in internationally renowned English publications such as n.paradoxa International Feminist Art journal, East Asian Journal of Popular Culture, International Journal of Cultural and Creative Industries, Visual Culture Wars at the Borders of Contemporary China: Art, Design, Film, New Media and the Prospects of ‘Post-West’ Contemporaneity, Contemporary Art in Taiwan, Contemporary Installation Art in Taiwan, History of Contemporary Women Artists in Taiwan, Brief History of Art in Taiwan (the first English Taiwan Art History book published by the National Taiwan Museum of Fine Arts), A Guide to Contemporary Art in Taiwan—Artist Magazine 40 Years Edition, and honourable mentions in “American Ignite Global Women’s Museum”, “ADA Archive of Digital Art”, “Peripheral ARTeries Biennial” and the keynote speeches at the Australian “agIdeas International Conference”, “Linz Electronica Festival Hong Kong Garden” and “2023 Spotlight Taiwan Master Lecture” at the Edinburgh University and etc. In 2022, she was selected as one of the “Tatler Asia” Asia’s Most Influential Figures. In 2024 she was featured in “Front and Female “ Taiwan Tatler.

Pey-Chwen Lin was invited to share her “Eve Clone" series works in the “2023 Spotlight Taiwan Master Lecture," organized by the Edinburgh College of Art, The University of Edinburgh."

https://www.spotlight-taiwan.eca.ed.ac.uk/art/


Lin Pey-Chwen’s column in the “ADA International Digital Art Database."

Pey-Chwen Lin was invited for an exclusive interview with ADA International Digital Art Database, sharing the same stage with internationally renowned digital artists. She is the first Taiwanese artist to receive this honor.

2022 Tatler Asia The Most Influential

2024 TATLER TAIWAN FRONT AND FEMALE

Award of “Best of Women Empowerment Film” at the 2025 Berlin Short Film Award

Award of Best Animation at 2025 Milan Indie Film Festival

“Eve Clone Babel I” received the Best Web/New Media Film Award at the 2025 London Women Film Festival
https://londonwomenfilmfestival.com/winners/season-4

https://www.tatlerasia.com/power-purpose/front-female/interview-lin-peichwen-clone-eve-digital-art-zh-hant?fbclid=IwAR3a2odeA6_OyPfr83TArqK_MJz3m0qbeZxXkjxJJig8txj0mwMteq_0hbM

Special Columns Links

Education

  • 1996 Doctor of Creative Arts, University of Wollongong, Australia
  • 1985 Master of Arts, Central Missouri State University,USA
  • 1984 Bachelor of Fine Arts, Central Missouri State University,USA

Academic Experience

  • 2010~ now Art Director of “Lin Pey-Chwen Digital Arts Lab.”
  • 2017~2018 Chair Professor and Dean of College of Planning and Design, China University of Technology, Taipei, Taiwan
  • 2003~2017 Professor of Dept. Multimedia and Animation Arts, National Taiwan University of Arts
  • 2001~2002 Chair of Graduate School of Multimedia and Animation Arts, National Taiwan University of Arts
  • 1997~2000 Chair of Dept. of Commercial Design, Chung Yuan University
  • 1996~2001 Associate Professor of Dept. of Commercial Art, Chung Yuan University

Publications

  • 2020 “Revelation of Eve Clone”: Lin Pey-Chwen +Digital Art Lab, Tainan Art Museum, Tainan, Taiwan
  • 2019 “Pey-Chwen Lin: Making of Eve Clone”, B.B.Art/ Taiwanese American Arts Council, Taiwan/New York
  • 2018 “Word and Tech–Revelation and Notification of Pey-Chwen Lin’s Art”, Artist Publisher, Taipei, Taiwan
  • 2012 “Taiwan Digital Art E-Files”, Artist Publisher, Taipei, Taiwan
  • 2012 “Lin Pey-Chwen Eve Clone Series”, Galerie Grand Siecle, Taipei, Taiwan
  • 2004 “Go Out of Civilization, Back to Nature”, National Taiwan University of Arts, New Taipei, Taiwan
  • 1999 “Lin, Pey-Chwen”, Cultural Affairs Bureau of Toayuan, Taiwan
  • 1999 “Lin Pey-Chwen’s Work Concept”, Fembooks Publisher
  • 1998 “Women Art Discourse”, Fembooks Publisher, Taipei
  • 1996 UNIVERSITY OF WOLLONGONG PHD THESIS,“The position of women in Taiwan’s social structure reflected in contemporary arts “ by Pey-Chwen Lin
  • 1995 “Women’s Interpretation –Lin Pey-Chwen Solo Exhibition”, Capital Art, Taichung/National Taiwan Museum of Arts

Achievements

The Winner of the First Prize of New Media Art in 2019 Italy XII Florence Biennial of International Award ‘Lorenzo il Magnifico’. Base in Taipei and Kaohsiung in Taiwan, Pey-Chwen Lin was born in Taiwan in 1959. She has received many art awards and recognitions, including Taiwan Chung-Shing Award, Taiwan Public Art Award, Taiwan Arts and Business Award, Red Dot Award, Australian Visa of Distinguished Talent, One of The Best Asian Artists Selected by Picasso Mio, The First Prize (FELLOWSHIP PRIZE 2020 – Platinum Certificate Award in Art Project category) in Art Woman 2020 International Exhibition, PPLG Project & Services for the Culture and Contemporary Art Italy, and 2022 “Tatler Asia” The Most Influential artist. The work “Eve Clone Babel I,”which collaborated with musician Zong Chiang for a performance, won dual gold awards for ‘New Media & Music’ and ‘Exhibition & Events’ at the 2024 MUSE AWARD in the United States. In addition to winning the MUSE Gold Award for performance, “Eve Clone Babel I” received numerous international film awards and honors In 2025 including the Award of “Best of Women Empowerment Film” at the 2025 Berlin Short Film Award, the Award of Best Animation at 2025 Milan Indie Film Festival, the “Best Web/New Media Film Award” at the London Women Film Festival and the Finalist and Official Selections at Hollywood International Golden Age Festival, New York International Women Festival, Florence Indie Film Festival, Paris Women Cinefest, and in 2024, including the Award of Special Mention at One Real Short, the Award of Recognition at the Best Shorts Competition, and finalist honors at the Cannes Film Festival, European Short Film Festival, and Berlin Short Awards. It was also a semi-finalist at the Rome International Festival, Paris International Short Festival, Tokyo ShortFest, Melbourne Independent Film Festival, Edinburgh Film Awards, Hollywood International Golden Age Festival, New York International Women Festival, Florence Indie Film Festival and Brussels World Film Festival. Additionally, it received selection honors at the Hollywood Best Indie Film Awards, LA Independent Women Film Awards, Los Angeles Short Film Awards, and Los Angeles Movie & Music Video Awards, as well as a nomination at the Cannes Art Film Festival.

Works are exhibited at major art museums in Taiwan and abroad

Her works have been presented in many major museums and galleries all around the world, such as Queens Museum of Art in New York, CUNY/ QCC Art Gallery in New York, Godwin-Ternbach Art Museum in New York, New York Art Foundation, TAAC Tribeca/ E. Tay/ R Gallery, New York Governors Island, American University Art Museum in Washington DC, San Francisco State University Art Museum, Moscow Platforma Art Space, WRO ART Center in Poland, Lviv National Art Museum in Ukraine, Museum of Contemporary Art in Skopje, Croatia: Galerija AŽ Atelieri Žitnjak in Zagreb, Slovenia: SCCA–Ljubljana Center for Contemporary Arts, Germany: Art Space ‘Rosalux’ in Berlin,Ars Electronica Garden Hong Kong Osage Space, Italy Palmieri Foundation, National Taiwan Museum of Fine Arts, Taipei Fine Arts Museum, MOCA Taipei, Kaohsiung Museum of Art, Tainan Art Museum ,Taidung Museum of Art, Guandu Art Museum, Fong-Chia Art Museum, MoNTUE Museum, Shanghai Museum of Contemporary Art, Shanghai Doland Museum of Fine Arts, Beijing 798 Artist Village, etc. Additionally, her works have been exhibited in many important biennales, exhibitions, festivals and art fairs such as Florence Biennale, Taipei Biennale, Taiwan Biennale, Poland WRO Media Art Biennale, Douro Printmaking Biennial, French Exit and Via Festival, 404 International Technology and Art Festival, Art Woman 2020 Italy PPLG, Asian Women’s Art Exhibition, 40 Years Taiwan Contemporary Art Exhibition, Taipei Art Fair, Taichung Art Fair, Singapore Art Stage Art Fair, among others.

Works are featured in major art publications in Taiwan and abroad

Her achievements have been published and documented in many art journals and thesis, history books, art magazines, and art archives internationally, such as n.paradoxa International feminist art journal, East Asian Journal of Popular Culture, International Journal of Cultural and Creative Industries,Visual Culture Wars at the Borders of Contemporary China: Art, Design, Film, New Media and the Prospects of ‘Post-West’ Contemporaneity,History of Contemporary Taiwan Woman Artists, Installation Art in Taiwan, Taiwan Contemporary Art, Taiwan Contemporary Art Series, The History and Development of Digital Art, Art of Taiwan, Digital Aesthetics, Art Island-An Archive of Taiwan Contemporary Artists, Taiwan High School Art Textbook, Art, Gender and Education, Taiwan Digital Art E Files, Asian Who’s Who, Artist Magazine, ARTCO Magazine, Asia Art Archive, Taiwan Digiarts, Artemperor Taiwan, Taiwan Contemporary Art Archive, Academia.edu, Archive of Digital Art, etc. Her Eve Clone Series has become a significant topic of discussion in the field of contemporary art internationally and was featured in 40 Years Edition of Chronicles of Taiwan Contemporary Art, the Special Column of Global Women’s Museum IGNITE, The Special Column of Pripheral ARTeries Biennial, The Special Topic of Melbourne, ‘agIdeas International Conference’ and ‘The Borders of Digital Art International Symposium’ in Oxford University, and the Internationally Invited Art Master of the ‘Taiwan Spotlight Master Lecture’ at the University of Edinburgh’s School of Art in 2023, etc.

Works Collections

Pey-Chwen’s works are collected in national and international art museums, galleries, cultural centers, private art organizations and private collectors including University of Wolloongong in Australia, QCC Art Gallery in City University of New York in USA, Taiwanese American Arts Council New York in USA, Art Museum of Rosario University in Argentina, The Independent Artists in Italy, Douro Printmaking Biennial, 404 International Festival of Art and Technology, National Taiwan Museum of Fine Arts, Taipei Fine Arts Museum, Tainan Art Museum, Kaohsiung Museum of Fine Arts, Taoyuan Museum of Fine Arts, National Taiwan Arts Education Center, Taichung Fine Art Museum, National Defense Art Museum, Tainan Cultural Center, Gallerie Pierre Art, B.B.Art, Da Xiang Art Space, Margaret Shiao, Ye Rongjia Art Foundation and many private collectors.

Several pieces of public art are collected in major organizations, institutions and schools including the Kaohsiung MRT, National Center for High-Performance Computing, National Art Village, Tsinghua University Art College, The Affiliated Senior High School of National Taiwan Normal University and Yilan Science Park of the Ministry of Science and Technology.

International and Domestic Keynote Speaker and Jury Member

Keynote speaker at the Queens Museum of Art in New York, the New York Foundation for the Arts, the “Being Here as ME” exhibition panel at the American University Museum in Washington D.C., and San Francisco State University. Delivered a speech at the Taiwan Spotlight program at the University of Edinburgh and participated as a panel guest at Loughborough University in the UK. Also served as a keynote speaker at the agideas International Design Conference in Melbourne, Australia, and at the Contemporary Art Space in Moscow, Russia. Additional keynote speeches were delivered at Kyushu University in Japan, the “TechArt International Conference” in South Korea, the Hong Kong Garden panel at the Ars Electronica Festival, and the Shanghai International Electronic Arts Festival. Guest speaker at various universities and colleges across Taiwan.

Reviewer for the world-renowned Leonardo journal of science and art, evaluator for QS World University Rankings, and international jury member at the agideas International Design Competition in Melbourne, Australia, and the Seoul International Animation Film Festival in South Korea. Served as an international jury member for the Ministry of Culture and CERN’s “Art Tech Accelerator @ Taiwan” project, and as a doctoral thesis reviewer at the University of Technology Sydney, Australia, and Hong Kong Baptist University. Reviewer for art project grants for Taiwan’s Ministry of Science and Technology, Ministry of Education, and Ministry of Culture. Additionally, served as a jury member for major art competitions in Taiwan, including the National Art Award, Kaohsiung Art Awards, Taoyuan Art Award, Nanying Award, Dadun Art Award, Huangsian Art Award, Yilan Award, KT Art-Tech Award, and Taipei Digital Art Awards, among others.

Achievements of Lin Pey-Chwen Digital Art Lab

Pey-Chwen Lin founded “Lin Pey-Chwen Digital Art Lab” in 2001 as part of Department of Multimedia and Animation Arts at National Taiwan University of Arts. Many works created by the lab’s members with Prof. Jason Lee’s technical assistance have gained many awards such as Taipei Art Awards, Taipei International Digital Art Award, Da Dun Prize, K. T. Award, Taipei Performance Art Prize, 404 International Art Festival, International Shanghai Electronic Art Festival, Chinese Character Art Festival, Taipei Shanghai 2 Cities’ Cultural and Art Exhibition, International D&AD Student Awards in England, Siggraph Asia, Arte Laguna Prize in Italy, The Special Jury Award and the First Prize in Enghien-les- Bains Digital Art Festival in France. In 2010, Professor Lin led a team to create the interactive performance works “Nexus” and “Happening Rehearsal “have selected by Taipei Interactive Performance Award. “Nexus” even gained a grant from Taiwan’s Council of Cultural Affairs’ flagship program for technology and performance arts. This work was also nominated during the 12th International Prague Quadrennial. ”Lin Pey-Chwen Digital Art Lab” is one of the most important digital art groups in Taiwan with lot of international achievements and reputation.

Works from Lin Pey-Chwen Digital Art Lab have been selected for exhibition at the SIGGRAPH Asia Art Gallery, including interactive installations such as “Notations”, “Sympathist”, “Record One Message to the Person You Love”, and the virtual reality piece “Langjiao – Beinan Road”.(https://share.google/uVdGM29So8fsyI3lY)

“Sympathist” Interactive Installation has also been selected for inclusion in the ACM Digital Library.(https://share.google/dFBOwzYiN085urAh6)

Selected Solo Exhibitions

  • 2024 “Pey-Chwen Lin Solo Exhibition”, Island Sunrise, Governors Island, New York, USA
  • 2020 “Revelation of Eve Clone”: Lin Pey-Chwen +Digital Art Lab, Tainan Art Museum, Tainan, Taiwan
  • 2020 “Body Manifestation : Pey-Chwen Lin Solo Exhibition”, Da Xiang Art Space, Taichung, Taiwan
  • 2019 “Eve Clone Augmented Reality”, QCC Art Gallery, CUNY, New York, USA
  • 2019 “Making of Eve Clone III”, The Fine Arts Museum of National Defense, Taipei, Taiwan
  • 2018 “Making of Eve Clone II “, B.B.Art, Tainan, Taiwan
  • 2017 “Making of Eve Clone”, Galerie Grand Siècle, Taipei, Taiwan
  • 2015 “Revelation‧Notification –Solo Exhibition by Lin Pey-Chwen”, National Tsing Hua University Arts Center, Hsinchu, Taiwan
  • 2012 “Eve Clone Series III”, Art Stage Singapore, Singapore
  • 2011 “Eve Clone Series II”, Galerie Grand Siecle, Taipei, Taiwan
  • 2011 “Eve Clone Series”, Museum of Contemporary Art, Taipei, Taiwan
  • 2006 “Artificial Life”, Art Center of National Central University, Taoyuan, Taiwan
  • 2006 “The Beautiful New World”, 798 Art Village, Dimensions Art Center, Beijing, China
  • 2005 “Fascination & Frustration”, Artist Space of National Hsinchu University of Education/ Art Center of Kao Yuan University, Hsinchu/Kaohsiung, Taiwan
  • 2004 “Catching”, Museum of Contemporary Art, Taipei, Taiwan
  • 2004 “Un-Natural “, International Art Center of National Taiwan University of Arts, Taipei, Taiwan
  • 2000 “Patriarchal Deconstruction”, National Taiwan Art Educational Art Museum, Taipei, Taiwan
  • 2000 “Viewing View”, Taoyuan Cultural Art Center, Taoyuan, Taiwan
  • 1999 “Golden Song”, Spazio Diciotto, Florence, Italy
  • 1998 “Classics Works”, Gallerie Pierre Art, Taichung, Taiwan
  • 1998 “Safety Nest”, Taipei City Hal, Taipei, Taiwan
  • 1996 “Reality and Falsehood”, HCTC Artist Space of National Hsinchu University of Education, Hsinchu, Taiwan
  • 1996 “Antithesis and Intertext II”, Project Contemporary Art Space, Wollongong, Australia
  • 1995 “Antithesis and Intertext”, Taipei Fine Arts Museum, Taipei, Taiwan
  • 1993 “Women’s Interpretation”, National Taiwan Museum of Arts, Taichung, Taiwan
  • 1992 “Solo Exhibition of Lin Pey-Chwen”, Space II, Taipei, Taiwan
  • 1991 “Solo Exhibition of Lin Pey-Chwen”, Space II, Taipei, Taiwan
  • 1990 “Solo Exhibition of Lin Pey-Chwen”, Space II, Taipei Taiwan
  • 1989 “Shape, Color and Strokes”, American Cultural Center, Taipei, Taiwan
  • 1984 “Break Through”, Art Center of CMSU, USA

Selected Group Exhibitions / Film Festivals

  • 2025 “Arts as Imprints of the Times:Permanent Collection of National Taiwan Museum of Fine Art” ,National Taiwan Museum of Fine Arts, Taichung, Taiwan
  • 2025 “The Era of Prompts —
    A Challenge Letter from AI to Humanity”, Tainan Art Museum, 2nd Building, Taiwan
  • 2025 “Pearls — Part II: Highlights from the Collection” Women Responding to the Spirit of the Times through Art, Kaohsiung Museum of Fine Arts, Kaohsiung, Taiwan
  • 2025  “Eve Clone Babel I” is presented in Award of “Best of Women Empowerment Film” at the 2025 Berlin Short Film Award, Award of Best Animation at 2025 Milan Indie Film Festival, the “Best Web/New Media Film Award” at the London Women Film Festival, Hollywood International Golden Age Festival, New York International Women Festival, Florence Indie Film Festival, Paris Women Cinefest, London Women Film Festival.
  • 2024 “The Trilogy of Southern Multiculturalism – Pearls: Women’s Art from a Southern Perspective,” Kaohsiung Museum of Fine Arts, Kaohsiung, Taiwan
  • 2024 “Her Fabulous Imagination—New Media Cross-Disciplinary New Media Art Exhibition”, Chiang Kai-Shek Memorial Hall, Taipei, Taiwan
  • 2024 “Eve Clone Babel I” is presented in Cannes Film Festival (France), Cannes Art Film Festival (France), European Short Film Festival, Berlin Short Film Award Festival (Germany), Rome International Film Festival (Italy), Paris International Short Film Festival (France), Tokyo Short Film Festival (Japan), Melbourne Independent Film Festival (Australia), Edinburgh Film Award (UK), Brussels World Film Festival (Belgium), Hollywood Best Independent Film Awards (USA), Los Angeles Women’s Film Festival (USA), Los Angeles Short Film Festival (USA), Hollywood International Golden Age Festival, New York International Women Festival, Florence Indie Film Festival, Los Angeles Film and Music Video Awards (USA).
  • 2024 “TIME MACHINE”, Renaissance venue of the Palmieri Foundation, Lecce , Italy
  • 2023 “Zong Chiang Audio Visual Concert”, Taipei 101 AMBI Immersive Space ONE, Taipei, Taiwan
  • 2023 ～2024 “Transformation—Body, Gaze, Power”, Asia University Museum of Modern Art, Taichung, Taiwan
  • 2022 “Somatosensory Boundary “, Remarkable Cultivation Fine Arts Museum, Tainan, Taiwan
  • 2022 “Women/ From Prehistory to Herstory”, ‘Love and Peace/2022 World Women’s Art Festival’, National Museum of Prehistory, Taitung, Taiwan
  • 2022 “I Am Who I Am/ Artist Self-Constructing Journey “,Shung Ye Museum of Formosa Fine Arts, Taipei, Taiwan
  • 2022 “ID-ENTITY R-EVOLUTION: BODIES-NATURANS, TRANSITS AND CYBERSPACE”, Palmieri Foundation, Vico Dei Sotterranei, Lecce, Italy
  • 2021 “Ars Electronica 2021: Garden Hong Kong – Art in the Cloud “ Exhibition in Osage Gallery and on line program at Linz/Hong Kong on 12th-17 Sep, 2021
  • 2020 “Art Woman 2020”, PPLG | Project & Services for the Culture and Contemporary Art , Primopiano gallery, Italy
  • 2019 “XII Florence Biennale”, Florence, Italy
  • 2019 “Cross-border and Hybrid”, Art Taipei, Taipei
  • 2019 “Urban Tribes", New York Foundation for the Arts/ El Taller Art Center/TAAC Tribeca/E. Tay/R Gallery, New York, USA
  • 2019 “Cultivation, Link and Expand – 2019 Taoyuan Women’s Art Exhibition", Taoyuan Museum of Fine Arts, Taoyuan Cultural Bureau, Taoyuan, Taiwan
  • 2019 “Light Year 53: From The People To The Land”, Manhattan Bridge Anchorage, New York, USA
  • 2019 “Transcendence and Hybridization — Post-Martial Law and Contemporary Taiwanese Art", ART TAIPEI, Taiwan
  • 2019 “Being Here as ME: New Media Art Exhibition of Women Artists from Taiwan”, American University Museum, Washington DC, USA
  • 2018-9 “Femi–Flow: Creating Female Subjectivity in Art”, National Taiwan Craft Research and Development Institute, Nantou/Taipei, Taiwan
  • 2018 “Should We Play?”, Taipei Art District Festival, Taipei, Taiwan
  • 2018 “Making of Eve Clone I”, Fibering-Eco as a Verb, WRO Art Center, Wroclaw Poland
  • 2018 “GZ-New York”, New York, USA
  • 2018 “GZ-BASEL” Parallel Exhibition of Art Basel, Basel, Swiss
  • 2018 “XXI Symposium Neuroradiologicum”, Taipei International Convention Center, Taipei
  • 2018 “Douro Printmaking Biennial”, Douro, Portugal
  • 2018 “404 International Festival of Art and Technology”, The University of Massachusetts Lowell Art Center, Massachusetts, USA
  • 2017 ” GZ-Venice” Parallel Exhibition of Venice Biennale, Venice, Italy
  • 2017 “The 3rd Global Print”, Douro, Portugal
  • 2017 ”Fibering–Eco As A Verb” International Video Installation Exhibition , Yo-Chang Art Museum, Taipei
  • 2017 ”Taiwan Videa” 2017 Selection –The Taiwanese Avant-garde Video Screening Project, Republic of Macedonia: Museum of Contemporary Art, Skopje/Croatia: Galerija AŽ Atelieri Žitnjak, Zagreb/ Slovenia: SCCA –Ljubliana Center for Contemporary Arts /Germany: art space “Rosalux" , Berlin
  • 2017 “Besides July”, Da Xiang Art Space, Art Taichung, Taichung
  • 2017 “Dramaturgy Body Rewritten Contemporary Art", Lee Gallery, Taipei, Taiwan
  • 2017 “GZ-KUNST”, Fatamorgana Gallery, Berlin, Germany
  • 2016 “ Like To Loud a Solitude”, MoNTUE Museum, Taipei, Taiwan
  • 2016 “ 404 International Festival of Art and Technology”, C++ Gallery, Bogota, Colombia
  • 2016 “Women Social Subjectivity –Taiwan Women Art Exhibition”, Chiayi Cultural Affairs Bureau, Chiayi, Taiwan
  • 2016 “Digital Attraction International Contemporary Art Exhibition”, Fu-Chung 15, New Taipei, Taiwan
  • 2015 “The Apocalyptic Sensibility: The New Media Art from Taiwan”, Taipei Fine Art Museum, Taipei, Taiwan
  • 2015 “The MOMENT: The Taiwanese Art Projects”, Tenri Cultural Institute, New York City, USA
  • 2015 “404 International Festival of Art and Technology”, Rosario, Argentina
  • 2015 “Dancing with Era –40 Years of Taiwan Contemporary Art”, Kaohsiung Museum of Fine Arts, Kaohsiung, Taiwan
  • 2014 “Cultural Capsules”, JCAL, New York, USA
  • 2014 “404 International Festival of Art and Technology”, Platforma, Moscow, Russia
  • 2014 “Progressive Proof: SF State exhibit features women printmakers from Pacific Rim”, San Francisco State University Art Museum, San Francisco, USA
  • 2014 “Raising the Temperature “International Art Exhibition, Queens Museum of Art, New York, USA
  • 2014 “In the Name of Asia female Artist”, Kaohsiung Museum of Fine Art, Kaohsiung, Taiwan
  • 2014 “Mirage & Aural Beauty”, National Taiwan Science Education Center, Taipei, Taiwan
  • 2013 “Post Humanist Desire International Exhibition”, Museum of Contemporary Art, Taipei, Taiwan
  • 2013 “The Tetramatyka Audio Visual Art Festival”, Lviv National Art Museum, Ukraine
  • 2013 “15th WRO Media Art Biennale”, Wroclaw, Poland
  • 2012 “Body and Interface”, Taipei Digital Art Center, Taipei, Taiwan
  • 2012 “404 International Festival of Art and Technology”, Rosario, Argentina
  • 2012 “Taiwan Biennial –YES, Taiwan”, National Taiwan Museum of Fine Arts, Taichung, Taiwan
  • 2012 “Transjourney –2012 Future Media Festival”, Kuandu Museum of Fine Art, Taiwan
  • 2011 “Next Body Digital Art Exhibition”, Huashan1914 Creative Park, Taipei, Taiwan 2010 “Body, Gender, Technology”, Taipei Digital Art Center, Taipei, Taiwan
  • 2010 “0&1: Digital Space and Gender Myths”, 501 Contemporary Art Center, Chungking, China
  • 2009 “Her First Solo Review and Perspective of Contemporary Women Artists in Taiwan”, National Chang Kai-Shek Memorial Hall, Taipei, Taiwan
  • 2009 “Virtual Fantasy”, Taidong Museum of Arts, Taidong, Taiwan
  • 2009 “VT Report”, VT Art Space, Taipei, Taiwan
  • 2009 “Interdisciplinary Horizon – Exhibition of Lin Pey-Chwen Digital Art Lab”, Providence University Art Center, Taichung, Taiwan
  • 2008 “Meditation in Contemporary Chinese Landscape”, International Exhibition, Godwin-Ternbach Museum, New York, USA
  • 2008 “Back to the Garden”, Queens Art Pavilion, New York, USA
  • 2007 “BOOM: Interplay of Fast and Frozen Permutation in New Media, Taiwan –Australia New Media Art Exhibition”, NTUA Art Museum/ Kuandu Museum of Fine Arts, Taipei, Taiwan
  • 2007 “Exit and Via Art Festival”, Creteil, France
  • 2006 “Morning Dew”, Kuandu Museum of Fine Arts, Taipei National University of the Arts, Taipei, Taiwan
  • 2006 “Pingtung International Peninsula Art Festival”, Pingtung, Taiwan
  • 2006 “Imaginary Number in Art”, Art Center of Kao Yuan University, Kaohsiung, Taiwan
  • 2006 “Animation Originality”, Shanghai Museum of Contemporary Art, Shanghai, China
  • 2005 “Border Crossing –The Shadow Dance of Cities “, Taipei Artist Village, Taipei, Taiwan and Shanghai, China
  • 2005 “Shanghai Cool: Creative Reproduction”, Shanghai Duolun Museum of Modern Art, Shanghai, China
  • 2005 “Motion with Time”, Gallerie Pierre Art, Taichung, Taiwan
  • 2004 “Taiwan Avant-Garde Documenta”, Huashan1914 Creative Park, Taipei, Taiwan
  • 2004 “Nexus: Taiwan in Queens”, Queens Museum of Art, New York, USA
  • 2003 “Passing 13”, Gallerie Pierre Art, Taichung, Taiwan
  • 2003 “Contemporary Art in Taiwan”, Fong Chia Museum of Art, Taipei, Taiwan
  • 2002 “Sour and Sweet Yeast”, Woman Art Exhibition, Huashan 1914, Creative Park/ Kio- A-Thau Sugar Factory, Taipei/ Kaohsiung, Taiwan
  • 2001 “Journey of the Spirit”, Kaohsiung Museum of Fine Arts, Kaohsiung, Taiwan 2001 “Treasure –Back to Nature Series”, Chingjing Farm, Nantou, Taiwan
  • 1998 “Taiwan Female Art Exhibition –Image and Aesthetics”, Taipei Fine Arts Museum, Taipei, Taiwan
  • 1998 “Reflection and Reconsideration –228 Commemorative Exhibition”, Taipei Fine Arts Museum, Taipei, Taiwan
  • 1998 “Sadness Transformed –228 Commemorative Exhibition”, Taipei Fine Arts Museum, Taipei, Taiwan
  • 1996 “1996 Taipei Biennial: The Quest For Identity”, Taipei Fine Arts Museum, Taipei, Taiwan
  • 1994 “Space II Group Exhibition”, National Taiwan Art Museum, Taichung, Taiwan
  • 1993 “Space II Group Exhibition”, UP Gallery, Kaohsiung, Taiwan
  • 1993 “Colorful Abstract Art”, Home Art Gallery, Taipei, Taiwan
  • 1993 “Space II Group Exhibition”, SPACE II Gallery, Taipei, Taiwan
  • 1992 “Space II Group Exhibition”, SPACE II Gallery/GO GO Gallery/ Up Gallery, Taipei /Tainan/Kaohsiung, Taiwan
  • 1992 “Individualism, Third Party”, Capital Art Center, Taichung, Taiwan
  • 1991 “Female, Me, Exhibition”, Dimension Art Center, Taipei, Taiwan
  • 1991 “Space II Group Experimental Exhibition”, Taipei Fine Art Museum, Taipei, Taiwan
  • 1991 “Space II Group Exhibition”, Space II, Taipei, Taiwan
  • 1990 “Space II Group Exhibition”, Space II, Taipei, Taiwan