Media: Digital Prints, Hand Drawing, 3D Animation, Augmented Reality Installation, tablet computer
Size: 54 x 72 x 3cm x 10 pcs
Year: 2019

Exhibitions
2020 “Body Manifestation-Pey-Chwen Lin Solo Exhibition “, Da Xiang Art Space, Taichung, Taiwan
2019 “Eve Clone Augmented Reality”, QCC Art Gallery, CUNY, New York, USA
2019 “Making of Eve Clone III”, The Fine Arts Museum of National Defense, Taipei, Taiwan
2019 “GZ-XPO London –Art and Awareness Exhibition”, London, England
2019 “Being Here as ME: New Media Art Exhibition of Women Artists from Taiwan”, American University Museum, Washington DC, USA
2018-9 “Femi–Flow: Creating Female Subjectivity in Art”, National Taiwan Craft Research and Development Institute, Nantou/Taipei, Taiwan
2018 “Should We Play Now?”, Taipei Art District Festival, Taipei, Taiwan
2018 “GZ-New York”, New York, USA
2018 “GZ-BASEL” Parallel Exhibition of Art Basel, Basel, Swiss
2018 “ Art Walk with Medical Science”, XI Symposium Neuroradiologicum”, Taipei International Convention Center, Taipei
2018 “Douro Printmaking Biennial”, Douro, Portugal
2018 “404 International Festival of Art and Technology”, The University of Massachusetts Lowell Art Center, Massachusetts, USA
2017 ” GZ-Venice” Parallel Exhibition of Venice Biennale, Venice, Italy
2017 “The 3rd Global Print”, Douro, Portugal
2017 “Making of Eve Clone”, Galerie Grand Siècle, Taipei, Taiwan

For Making of Eve Clone Documentation I series, I overlap both head and hand part of Leonardo Da Vinci’s manuscript with the line sketch and grid of Eve Clone’s head and hand part in order to accentuating the golden ratio of Eve Clone. Although Leonardo Da Vinci’s manuscript use male as model, the face ratio of Eve Clone is still highly similar with his manuscript keeping signs of computer software which I design that in purpose as contrast of digital file and manuscript document. In the last print of both head and hand, the upper document shows the metallic-colored forming head and right hand with “666 Mark of the Beast” of Eve Clone, and the lower part shows the chapter Daniel and Revelations of Bible in the mirror writing from Leonardo da Vinci.

The final touch is AR techniques that transform Eve Clone from a static print into dynamic video to simulate a vivid Eve Clone interacting with audiences in real world.  When the viewers used AR installation to interact with the 2D documents of Eve Clone’s head and hands, they were surprised to find that the 2D head and hands moved on the screen. Eve Clone’s head gradually changed from asleep, facing up, to rising with open eyes and turning left and right, before closing the eyes and returning to the original posture. The hands moved in a tempting gesture of the number 6, and like Satan’s horns indicating that Eve Clone lived in the same time and space as humans. Finally, I added the golden lines and number symbols such as 666, 721, 144, 1213, 924 , recorded in the Bible, at the tops of the prints by hand drawing them.